Posts Tagged 11th grade

Innovation + Art (I made it out of clay…)

Ceramics ProjectsThis year, Senior Institute visual arts teacher Sue Grieder decided to try an experiment with the advanced students in her elective ceramics class. Instead of requiring them to complete specific projects to demonstrate techniques they’ve learned, she focused solely on teaching techniques and then let her students decide how to apply them. Her goals: to give her students more opportunities to think creatively and solve design problems on their own.

So during the 1st semester, students worked on small skill-building assignments including texturing, glazing, and pottery wheel work. Then, once they mastered the essential skills, Sue offered her students a menu of project choices in the 2nd semester. “I let students figure out what techniques would best suit the projects they chose to do,” Sue says.

... and her technique

… and her technique

11th grader Jennifer E. shows off a work in progress...

11th grader Jennifer E. shows off a work in progress…

The day I visit Sue’s ceramics class, her students are deeply engaged in applying these skills on their projects.

I notice 11th grader, Jennifer E., working on a piece of un-fired clay, which she’s shaping with a sculpting tool; it looks like a hollow section of a tree trunk that she tells me will become a pencil holder.  She walks me through her creative process and the texturing techniques that she’s applying to this project. “First, I researched vases and other kinds of ceramic containers,” Jennifer says. “Then I studied various wood grains and practiced carving and incising to get the right look.”

Jennifer's lantern

Jennifer’s lantern

Jennifer has worked on several projects over the past few months, practicing the various techniques she’s learned. She offers to show me some of them, and leads me out of the ceramics studio and into the school’s main hallway where a few dozen pieces of student work from Sue’s class are on display. A lantern she designed and built catches my eye. “I was inspired by the Japanese lanterns that we studied,” Jennifer explains. “It was really challenging to design and make. First semester, I’d learned how to use ceramic molds, so I thought I’d try it out by making a lantern. I crafted these hollow half-spheres and then put them together.” She also shows me her other work which she applied her skills to create—a ceramic box and a drinking cup.

Senior Institute students, Spencer G. and Cat P. press a slab of clay for a ceramics project

Spencer G. and Cat P. press a slab of clay for their projects

Later, Sue shares with me her own inspiration for this change in her classroom practice. She was motivated by a book that every Wildwood teacher read this past summer—Tony Wagner’s Creating Innovators: The Making of Young People Who Will Change the World.  Wagner, a professor at Harvard, believes three essential teaching characteristics that encourage innovative thinking: giving students work that taps into their interests and passions, provides them a purpose, and encourages play.

11th grader Jessica A. at the pottery wheel

11th grader Jessica A. at the pottery wheel

The results among Sue’s students beautifully illustrate Wagner’s point: the work is beautiful, whimsical, and technically sound.  “The best part,” Sue says, “is that I’ve been able to be much more of an artistic ‘coach’ than the teacher; it’s inspired some students to explore techniques beyond those that were presented during the 1st semester, and has also resulted in greater success and pride in the final products.”candle holder

I test this observation as I check in with two other 11th graders, Sarah R. who is sculpting the underside of an unfired clay bowl, and Sophia R. who is at the beginning of her process in making a plate. I ask them what they’ve gotten better at doing since the start of the year. “I couldn’t even make a cup back in September,” Sophia says, “and I just finished making my own sushi serving set!”  Sushi, it turns out, is one of Sophia’s personal passions.  Sarah describes how regular practice at the pottery wheel has helped her to more efficiently craft bowls like the one she’s working on now.  I ask her what she plans to do with her finished products from this year’s class. “I’m going to use them,” she says without hesitation. “I’m really proud of these.”

platePride in work, skill development, and feelings of accomplishment—all because a teacher coached her students, then trusted them to apply their skills in a meaningful way.  With gentle guidance, and then, left to their own devices, Wildwood students think, experiment, and innovate. That’s the most invaluable outcome our community can claim.

~ By Steve Barrett, Director of Outreach, Teaching, and Learning

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History Alive!

Everett D. as Cold War provocateur, Whittaker Chambers

Everett D. as Cold War provocateur, Whittaker Chambers

Everett D. shows the audience a curious prop: a small, hollowed-out pumpkin—just the right size for hiding top secret microfilm.  In today’s performance, 11th grader Everett is Whittaker Chambers, an historical American figure from the Cold War era. Chambers spied for the Soviet Union in the 1930s but later renounced communism, became an editor for Time Magazine, and ultimately became a key figure in the anti-communist “witch hunts,” which began in the late 1940s.

Everett’s performance is the culminating project for the Cold War unit in Tassie Hadlock-Piltz’s Modern United States History class. Channeling Chambers, Everett explains how the writer, while serving as a communist spy, received classified documents on microfilm from Alger Hiss, a high-ranking official in the Roosevelt and Truman administrations. He hid the documents in a hollowed-out pumpkin on his family farm in Maryland.  Chambers’ revelation of the documents in 1948 to the infamous House Un-American Activities Committee (HUAC) led to Hiss’ trial and conviction on perjury charges and fomented continued accusations in the early Cold War era that communists had infiltrated the highest levels of American government.

Evan B. channels playwright, Arthur Miller

Evan B. channels playwright, Arthur Miller

Tassie’s students have been working on their monologues since late October, applying historical research and Wildwood’s Habits of Mind to create these personal stories.

Sam C. lends seriousness to her monologue as Lucille Ball

Sam C. lends seriousness to her monologue as Lucille Ball

Evan B, another 11th grader chose to portray playwright Arthur Miller, and uses his monologue to demonstrate skills in the Habit of Connection, linking history with his own passion for acting. As Miller, Evan stands assured before his peers, donning his signature horned-rimmed glasses as he bitterly reflects on his own run-ins with HUAC. Unlike Whittaker Chambers, though, Arthur Miller did not “name names,” endangering his own career in the process.

While Tassie helped guide her students’ historical research for this project, students also benefitted from the talents of performing arts teacher, Melissa Bales who assisted the students with specialized workshops, created to help them write monologues and bring life to their characters.

Jesse B. portrays Dodgers great, Jackie Robinson

Jesse B. portrays Dodgers great, Jackie Robinson

Sam C. illuminates another memorable American, Lucille Ball.  Seated before her audience in a light-patterned gingham dress, holding an authentic (unlit) cigarette, Sam depicts this comedy queen as anything but laughable. The performance is notable not only for how Sam reveals her character’s complex personality, but also in how the performance demonstrates Sam’s acumen in the Habit of Perspective; she portrays the I Love Lucy star echoing the anger and fear that swept Hollywood during the late 1940s and 50s when actors, writers, and directors were accused of communist sympathies and threatened by HUAC into denouncing their peers to save their own careers.

Morgan Vaughn as convicted spy, Julius Rosenberg

Morgan Vaughn as convicted spy, Julius Rosenberg

As this is a history class, the Habit of Evidence also plays a crucial role in each student’s monologue.  For example, in his portrayal of Jackie Robinson, 11th grader Jesse B. deftly excerpts the former Dodgers star’s own testimony before HUAC. 11th graders Morgan V. and Talya C. also deploy a wealth of historical evidence to construct realistic monologues to represent the condemned atomic bomb spies, Julius and Ethel Rosenberg.

Talya C. performs as Ethel Rosenberg, before her execution for espionage

Talya C. performs as Ethel Rosenberg, before her execution for espionage

Watching each student’s carefully constructed character unfold a bit of history, it’s not just their dexterity in creating an unique historical illumination that’s compelling, but also a the fluency they enjoy in literally brining their own learning to life.

Sometimes in the Wildwood community this kind of extraordinary student work can start to seem ordinary.  It’s not.  Rather, this work is an intentional outcome of thoughtfully designed curricula and outstanding teacher guidance combined with very real student intellect and talent. We enjoy it, nurture it, and recognize it—as extraordinary.

~ By Steve Barrett, Director of Outreach, Teaching, and Learning

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